After graduating from Harvard, he received the Fulbright fellowship to study in Rome. Diamond House B, Second Floor Plan, John Hejduk fonds, Collection Centre Canadien d’Architecture/Canadian Centre for Architecture, Montréal. Diamond House B, Plan, John Hejduk fonds, Collection Centre Canadien d’Architecture/Canadian Centre for Architecture, Montréal). DOI: http://doi.org/10.5334/ah.cb. In 1967, Hejduk presented the three diamond projects (Diamond House A, Diamond House B, and Diamond Museum C) in an exhibition held at the Architectural League of New York, alongside paintings by Robert Slutzky. An anonymous brief commentary and four drawings of House A are published in Architectural Design (Anonymous 1985). This work was done out of an appreciation for Hejduk's original work and to further my own understanding of his genius. The roundness of the columns gives the plans a ‘centrifugal force and multi-directional whirl’. This work was done out of an appreciation for Hejduk's original work and to further my own understanding of his genius. Hejduk, J (1985c). Page references to Hejduk’s text will be to the last and most accessible publication, that in Mask of Medusa. Mask of Medusa: Works 1947–1983. Ver más ideas sobre Arquitectura, Arquitectos, Cedric price. Cad Blocks. DOI: http://doi.org/10.5334/ah.cb, Jasper, M. (2014). Importantly, in terms of it’s potential for architecture, the temporality revealed or explored in these projects is independent of movement. DOI: http://doi.org/10.5334/ah.cb, Jasper, Michael. Ver más ideas sobre Arquitectura, Arquitectos, Cedric price. If the Diamond Series remains something of a novelty, marked by the literal translation of a painterly problem, the wall houses are something entirely new. John Hejduk, Diamond House A, 1963 Home; Famous Architectures; John Hejduk; Diamond House A; Drawings and Projects. Architect: John Hejduk. Deleuze, G (1989). See also on the ‘just methodical […] incremental’, in Hejduk’s conversation with David Shapiro (Hejduk and Shapiro 1991: 60). Translation of John Hejduk's Diamond House A from plans to a model, presented through a series of projection styles, both parallel and perspective. May 20, 2019 - Explore 兆平 吳's board "John hejduk", followed by 193 people on Pinterest. There are architectures of dusks; their crystallizations These two theses work in parallel on the problems of the observer in motion, and thus of time (the thesis of simultaneity) and of space (that collapsed, ‘actual’ two-dimensional space of the diamond). Architectural Histories 2 (1): Art. John Hejduk; Diamond House A; Drawings and Projects. Mask of Medusa: Works 1947–1983. The Diamond Projects have been partially published and are regularly referred to in writings by and on Hejduk, and they have also been the object of retrospective considerations by him, but they have received only limited consideration in secondary writing.1, The Diamond Projects occupy a unique place in Hejduk’s work. John Hejduk: Constructing in Two Dimensions. May 20, 2019 - Explore 兆平 吳's board "John hejduk", followed by 188 people on Pinterest. John Hejduk (creator) John Hejduk (architect) John Hejduk (draughtsman) John Hejduk (archive creator) Title. Could a similar reversal be said to have occurred more generally in the realm of architecture and if so, how would we recognize it? Peter Eisenman’s essay in this exhibition catalogue miraculously illustrates the architectural thinking at work in, and animates the differences among, the Nine-Square projects (see Eisenman 1980). Hejduk, in interview with Wall (1985c: 90). 3The citation is from Hejduk’s so-called ‘Diamond Thesis’ (Hejduk 1985b: 48). What came next were projects that continued the form investigations of the Diamond Projects.17 Subsequent projects took on similar or related ideas and themes, replacing frontality, for example, with shear (3/4 Series, Extension House), the pinwheel (such as 1/4 House C, 1/4 House D), and the echelon (1/4 House B). John Hejduk designed the Tegel Housing as part of the 1987 IBA. Eisenman, P (1980). Cad Blocks. The drawings and models in the exhibition also included paintings on the same theme by Robert Slutzky. Museum C achieves this by the intensity of plan figures such that the possible experience is as a section idea that goes beyond a simple horizontal layering. Transparency: Literal and Phenomenal. John Hejduk “Diamond Houses” 1950-60 – – Program Entry walk Living Dining Kitchen Music-Library Bathrooms Bedroom Surfaces Glass as shown Interior walls-white Exterior walls-white Idea-Concept One half of a square One half of a circle One half of a diamond Text by John Hejduk First floor Second floor Roof floor Projection A Projection B Projection C Projection D -John Hejduk. Firstly, they can be seen as an effort to overcome a number of architectural biases Hejduk traces to the Le Corbusier of Villa Garches and the Visual Arts Center at Harvard University.5 In particular, Hejduk tries to escape from the biases of frontality and the horizontal stratifications of space idealized in the Domino diagram and traced by Hejduk to the Villa Garches. The work was the result of a six-year investigation into the problem. Wall House 2 is admired for it's fusion of Surrealist sculpture, Cubist paintings and architecture, which reflect John Hejduk's identity as an artist, poet, educator and … Bernstein House; Diamond House A; One - Half House; History Architectures. Feb 20, 2020 - In 1962 architect and educator John Hejduk (1929-2000) started a six-year investigation on the architectural implications of the "diamond configuration": a forty-five-degree rotation of bounding elements relative to an orthogonal system. Article by SOCKS is an online magazine. Though tentative, and calling for further development, I believe there is evidence of a concept of direct time at work in the three Diamond Projects, briefly considered here and whose interpretation I have sketched out above. This idea of the voided center confirms a move in Hejduk’s attention away from a trabeated logic of post and beam frames, of singular columnar surfaces, and of articulated roofs (clearly and methodically treated in the Nine-Square (Texas) series) toward a ground-less architecture of round columns, freestanding partitions, and flat-slab floors and ceilings. Over three dense pages, and in the context of a longer commentary on Hejduk’s last work, Hays discusses the Diamond Thesis and the role of the Diamond Projects as leading to the Wall Houses (Hays 2002: s.p.). The second thesis concerns the concept of a temporality characterised by a concept of direct time. Required fields are marked *. Text by John Hejduk. Nothing Less than Literal: Architecture After Minimalism. Introduction to the Diamond catalogue [the so-called Diamond Thesis] In: Hejduk, J and Shkapich, K eds. 6As one example of this approach in the domain of art historical criticism, see Bois’s analysis of Richard Serra’s work from the point of view of what might be called an autonomous picturesque (Bois 1984). A+U May 197553: 141–142. The bars on the grid-line extension to the perimeter are consistently doubled, and the glass is pushed out in these instances, including at the top and bottom points, to the outside of the slab. In the developed 1/4 House C, the site remains, gripped by those four walls whose direction — are they moving into or out of that impossible center, impossible because so compressed — is one of the many ambiguities at work. ) alignment is palpable in the exhibition of drawings and projects a ; One - House. 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